Things get more dire when Bucky "The Winter Soldier" Barnes (Sebastian Stan) - who, like his pre-brainwashing best pal Steve, has stayed in his early 30s since the early '40s thanks to evil Nazi cryoscience - becomes a suspect in an assassination that puts the enigmatic new hero Black Panther on his trail. And because screenwriters Christopher Markus and Stephen McFeely and star Chris Evans have developed the character so beautifully over the past five years, our hearts are with Cap, even though Stark's position is clearly the rational one. (As the person most responsible for creating Ultron, the malignant AI that talks like James Spader, he has good reason to believe that their power is too dangerous to remain unchecked.)īut Captain Steve Rogers - still the lionhearted Brooklyn kid who tried again to enlist against the Nazis each time the draft board ruled him 4-F - believes the world will be safer if its guardians remain autonomous.
Tony "Iron Man" Stark, the hero most traumatized by their battles, thinks it's the right move.
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Liberally adapted from a Mark Millar comic book scenario circa 2006-7, Civil War finds the Avengers disassembled: The cumulative human cost of their adventures, plus a botched mission in this movie resulting in still more loss of life, has the world demanding the team submit to United Nations oversight. It's the Vibranium standard for superteam flicks. Best of all, it achieves genuine pathos while still being enormously funny. It's both more tense and more operatic than Joss Whedon's seminal Avengers chapters, and it juggles even more characters successfully. It is also, at 147 minutes, the longest, but every minute is up there on the screen, so to speak. Because in all the ways that matter most - characterization, performance, emotional tension, allegorical heft - Civil War is Earth's Mightiest Marvel movie. 2-D is A-1.)Īt least it'll hold up well on the at-home revisits it's bound to enjoy as Marvel's sinister-sounding Phase Three marches on. (I saw it in 3-D, which made the fight choreography - so crisp in Winter Soldier - look sloppier and the green-screen shots look faker.
Their current Avengers movie, the one called Captain America: Civil War, has aerial combat and even a shot-in-IMAX sequence, but its visual sense remains stubbornly small screen.
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Sibling directors Anthony and Joe Russo were best known for the hip TV comedies Arrested Development and Community before Marvel hired them to make the superb Captain America: The Winter Soldier they're doing the next two Avengers, too. Much of it takes place indoors, and its exteriors all appear to have been captured on the same cloudy afternoon in the spring of 2015 (though there's a Mark Fuhrman joke that American Crime Story has made topical again). The movie isn't all that much to look at, either. Civil War's ersatz score, by Henry "Not Wolverine" Jackman, might've been borrowed from a '90s Tom Clancy flick. Does Captain America have a theme? Does Iron Man? What about Black Widow? Haven't they each earned one by now?Įight years into a lovingly micromanaged franchise that has made Marvel Studios as indomitable as Galactus, benevolent mogul Kevin Feige still hasn't found a composer to elevate one of these movies to the firmament of earworms.
Hawkeye/Clint Barton (Jeremy Renner), Scarlet Witch/Wanda Maximoff (Elizabeth Olsen), Captain America/Steve Rogers (Chris Evans), and Winter Soldier/Bucky Barnes in Captain America: Civil War.Ĭourtesy of Walt Disney Studios Motion PicturesĬaptain America: Civil War, our 13th spin around the Marvel Cinematic Universe, is such a satisfying Problems In 21st Century Superheroics seminar that I'd be humming its theme for days if only I could remember it.
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